![]() ![]() I knew that it was a potential failure point, and was relieved when the piece made it to the show intact. Ugly: The pinning between the Pharaoh’s feet and the base was always suspect because the legs (being 3D printed) were hollow, and the material was brittle. One of the reasons I want to get the full diorama cast as a resin kit is that I’m 100% sure that someone else out there can top my version of it. I feel like even though it’s my original concept, I spent so much time working on it that I lost perspective on what I was doing and was just pursuing the goal of finishing it. So, the fact that it won 3rd place Best in Show is kind of doubly insane.īad: It’s honestly my least favorite of the three pieces I brought to Crystal Brush. Good: I think it’s a miracle that I was able to finish this project in time for the Crystal Brush and actually get it to the show without breaking anything. Once I got my hands on some super saturated reds, it was still a challenge to find the right hue. Because of this, this project had a very extensive “shit phase”: Unfortunately, when I did the test, I didn’t have any inks or fluorescents, so when I started painting the lighting effect with a standard matte red, I couldn’t get the contrast I needed. translating my Photoshop image into real life paint) occurred the day before I needed to get on a plane to leave for a winter break (with painting supplies packed for the trip), so it was very minimalistic, but got me the info I needed to get started:īy the end of the project, this is what I ended up using: …also visible is an Arnau Lazaro piece that I was sampling as a potential palette source. With this piece being original, I had to try painting over an image of the 3D model, which is much harder to digitally paint into a useful place. This results in a guide I use while painting the miniature in real life.Įven if I want the light in a different place than where it started with my reference art, the baseline contrast of the volumes is there, which makes it easy to play with. My usual approach to finding my color scheme involves using Kuler to solidify my palette ideas, and then taking versions of the miniature painted by other artists, desaturating it, and digitally painting over it with my new palette (if you go through previous posts, you can catch Photoshop paint-overs of Marc Masclans, Kat Martin, and Marike Reimer). One thing I came to realize, however, was that the material that was used for printing this particular piece was more brittle that I am used to, which combined with the top-heavy nature of the Pharaoh sculpt, created issues keeping the piece safely pinned together (more on that in the ‘ugly’ section… yikes). I got two copies, one for potential future casting, and one to directly paint (again, because of timeline considerations, I had to get started painting immediately). stl files, which I sent off to be 3D printed. …I gave some notes, and pretty soon, I was the proud owner of some. I prepared a crude Photoshopped piece of concept art:Īnd a guide that attempted to data-dump all of my thoughts about the elements of the sculpt:Ĭharles really crushed it. they would be hungry to do a great job on the sculpt and not just think of it as an annoying piece of side work.īy the time I contacted Charles Agius, I was fairly certain that he was the optimum match for the project. Someone that wasn’t super well known, i.e. Sculpted digitally (for mostly logistic and timeline related reasons), 4. Sculpted in a way that was compatible with my painting approach, 3. So, I did some fairly exhaustive research, searching for a sculptor that met the following criteria: 1. I had a fairly well developed idea in mind to pursue, and I spent a week trying to get started sculpting it myself when I realized that there was no way my sculpting skill level was at a place that I could produce anything close to what I was imagining. I knew I wanted to bring an original piece to Crystal Brush. You can find the first post here, and second post here. This is my third of three posts about my 2018 Crystal Brush entries. Completion Date: (literally the day before Crystal Brush) ![]()
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